Top 10 books to add to your summer reading list in 2026 | Books | Entertainment

As we approach summer, you may be starting to think about what book you’re going to take on holiday with you. As an avid reader, particularly in the summertime or while on holiday, I consider myself to have an eye for a good beach read. The type of book that you can get lost in for hours, that will transport you to a different world, era or destination. But sometimes all you need is a good recommendation, and this time the Scottish Book Trust has you covered.

There is something sentimental in looking at the books on your shelf and remembering where you were when you read them and the memories that resurface alongside them. This makes choosing a holiday read that bit more important. So, with that said, here are the top 10 summer reads recommended by the Scottish Book Trust.

A synopsis of the book reads: “After years away from her family’s homeland, and reeling from a disastrous love affair, actress Sonia Nasir returns to Haifa to visit her older sister Haneen. This is her first trip back since the second intifada and the deaths of their grandparents: while Haneen made a life here commuting to Tel Aviv to teach at the university, Sonia stayed in London to focus on her acting career and now dissolute marriage. On her return, she finds her relationship to Palestine is fragile, both bone-deep and new.

“At Haneen’s, Sonia meets the charismatic and candid Mariam, a local director, and finds herself roped into a production of Hamlet in the West Bank. Sonia is soon rehearsing Gertude’s lines in classical Arabic and spending more time in Ramallah than in Haifa, along with a dedicated group of men from all over historic Palestine who, in spite of competing egos and priorities, each want to bring Shakespeare to that side of the wall. As opening night draws closer it becomes clear just how many violent obstacles stand before a troupe of Palestinian actors. Amidst it all, the life Sonia once knew starts to give way to the daunting, exhilarating possibility of finding a new self in her ancestral home.”

The blurb states: “Nell McDaragh never knew her grandfather, the famed Irish poet Phil McDaragh. But his love poems seem to speak directly to her. Restless, full of verve and wit, twenty-two-year-old Nell leaves her mother Carmel’s home to find her voice as a writer and live a life of her choosing. Carmel, too, knows the magic of her Daddo’s poetry—and the broken promises within its verses. When Phil abandons the family, Carmel struggles to reconcile “the poet” with the man whose desertion scars Carmel, her sister, and their cancer-ridden mother.”

The book’s synopsis reads: “If you look hard enough at old photographs, we’re there in the background: healers in the trenches; Suffragettes; Bletchley Park oracles; land girls and resistance fighters. Why is it we help in times of crisis? We have a gift. We are stronger than Mundanes, plain and simple.

“At the dawn of their adolescence, on the eve of the summer solstice, four young girls–Helena, Leonie, Niamh and Elle–took the oath to join Her Majesty’s Royal Coven, established by Queen Elizabeth I as a covert government department. Now, decades later, the witch community is still reeling from a civil war, and Helena is now the reigning High Priestess of the organisation. Yet Helena is the only one of her friend group still enmeshed in the stale bureaucracy of HMRC.

“Elle is trying to pretend she’s a normal housewife, and Niamh has become a country vet, using her powers to heal sick animals. In what Helena perceives as the deepest betrayal, Leonie has defected to start her own more inclusive and intersectional coven, Diaspora. And now Helena has a bigger problem. A young warlock of extraordinary capabilities has been captured by authorities and seems to threaten the very existence of HMRC. With conflicting beliefs over the best course of action, the four friends must decide where their loyalties lie: with preserving tradition, or doing what is right.”

The blurb reads: “The story of a solitary green notebook that brings together six strangers and leads to unexpected friendship, and even love

“Julian Jessop, an eccentric, lonely artist and septuagenarian, believes that most people aren’t really honest with each other. But what if they were? And so he writes–in a plain, green journal–the truth about his own life and leaves it in his local café. It’s run by the incredibly tidy and efficient Monica, who furtively adds her own entry and leaves the book in the wine bar across the street. Before long, the others who find the green notebook add the truths about their own deepest selves–and soon find each other in real life at Monica’s café.

“The Authenticity Project’s cast of characters–including Hazard, the charming addict who makes a vow to get sober; Alice, the fabulous mommy Instagrammer whose real life is a lot less perfect than it looks online; and their other new friends–is by turns quirky and funny, heartbreakingly sad and painfully true-to-life. It’s a story about being brave and putting your real self forward–and finding out that it’s not as scary as it seems. In fact, it looks a lot like happiness.”

The synopsis reads: “Born to survivalists in the mountains of Idaho, Tara Westover was seventeen the first time she set foot in a classroom. Her family was so isolated from mainstream society that there was no one to ensure the children received an education, and no one to intervene when one of Tara’s older brothers became violent. When another brother got himself into college, Tara decided to try a new kind of life. Her quest for knowledge transformed her, taking her over oceans and across continents, to Harvard and to Cambridge University. Only then would she wonder if she’d traveled too far, if there was still a way home.”

The blurb reads: “The peaceful English village of King’s Abbot is stunned. The widow Ferrars dies from an overdose of Veronal. Not twenty-four hours later, Roger Ackroyd—the man she had planned to marry—is murdered. It is a baffling case involving blackmail and death that taxes Hercule Poirot’s “little grey cells” before he reaches one of the most startling conclusions of his career.”

The book’s synopsis reads: “A travelling funfair of seductive troublemakers arrive in a repressed Scottish town. What could possibly go wrong?

“It’s the summer of ’97 and the Scottish town of Pitlaw is itching for change.

“Enter the Freakslaw – a travelling funfair populated by deviant queers, a contortionist witch, the most powerful fortune teller, and other architects of mayhem. It doesn’t take long for the Freakslaw folk to infiltrate Pitlaw’s grey world, where the town’s teenagers – none more so than Ruth and Derek – are seduced by neon charms and the possibility of escape.

“But beneath it all, these newcomers are harbouring a darker desire: revenge.

“And as tensions reach fever pitch between the stoic locals and the dazzling intruders, a violence that’s been simmering for centuries is about to be unleashed…”

The book’s blurb states: “From her place in the store, Klara, an Artificial Friend with outstanding observational qualities, watches carefully the behaviour of those who come in to browse, and of those who pass on the street outside. She remains hopeful that a customer will soon choose her, but when the possibility emerges that her circumstances may change forever, Klara is warned not to invest too much in the promises of humans.”

The synopsis states: “Sea Bean is a coastal treasure. Its hard-won attentiveness shows the wonder and vulnerability of our interconnected oceans, wildlife and people. In Sally’s writing, beachcombing – an old island pursuit – is modern, revealing and restorative. The next time I am at the shore, I will have a deeper appreciation and curiosity”

The book’s synopsis reads: “In I’m A Fan, a single speaker uses the story of their experience in a seemingly unequal, unfaithful relationship as a prism through which to examine the complicated hold we each have on one another. With a clear and unforgiving eye, the narrator unpicks the behaviour of all involved, herself included, and makes startling connections between the power struggles at the heart of human relationships and those of the wider world, in turn offering a devastating critique of access, social media, patriarchal hetero-normative relationships, and our cultural obsession with status and how that status is conveyed.

“In this incredible debut, Sheena Patel announces herself as a vital new voice in literature, capable of rendering a range of emotions and visceral experiences on the page. Sex, violence, politics, tenderness, humour—Patel handles them all with both originality and dexterity of voice.”